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Bitter Music: July 20 — Heading North, Between Sacramento and Redding
by Harry Partch
From the album:
Enclosure II
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1.
I am Harry Partch
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2.
By the Rivers of Babylon
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3.
Texts and Music: A Wagnerian Wrestling Match
-
4.
17 Lyrics of Li Po: A Dream
-
5.
17 Lyrics of Li Po: An Encounter in the Field
-
6.
17 Lyrics of Li Po: On Hearing the Flute
-
7.
17 Lyrics of Li Po: The Intruder
-
8.
17 Lyrics of Li Po: I am a Peach Tree
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9.
17 Lyrics of Li Po: With a Man of Leisure
-
10.
17 Lyrics of Li Po: A Midnight Farewell
-
11.
17 Lyrics of Li Po: Before the Cask of Wine
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12.
17 Lyrics of Li Po: On the Ship of Spicewood
-
13.
17 Lyrics of Li Po: By the Great Wall
-
14.
The Use of English in Serious Music
-
15.
Barstow: 8 Hitchhikers' Inscriptions
-
16.
San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
-
17.
Life Is Too Precious to Spend It With Important People
-
18.
US Highball: a Musical Account of a Transcontinental Hobo Trip
-
19.
My Heart Keeps Beating Time
-
20.
San Francisco II
-
1.
I'm Going to Start Right Off By Giving You Some Sounds…
-
2.
2 Settings from Finnegans Wake: No. 1. Isobel
-
3.
2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful
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4.
Dark Brother
-
5.
A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
-
6.
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
-
7.
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
-
8.
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
-
9.
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
-
10.
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
-
11.
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
-
12.
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
-
13.
A Quarter-Saw Section of Motivations and Intonations: Close Degrees
-
14.
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
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15.
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
-
16.
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
-
17.
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
-
18.
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
-
19.
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"
-
20.
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
-
21.
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched
-
22.
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
-
23.
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
-
1.
Bitter Music: June 11, 1935 — Santa Rosa, California
-
2.
Bitter Music: June 12 — Federal Shelter, Stockton
-
3.
Bitter Music: June 13
-
4.
Bitter Music: June 14
-
5.
Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta
-
6.
Bitter Music: June 17
-
7.
Bitter Music: July 4
-
8.
Bitter Music: July 14
-
9.
Bitter Music: July 16
-
10.
Bitter Music: July 19
-
11.
Bitter Music: July 20 — Heading North, Between Sacramento and Redding
-
12.
Bitter Music: July 24 — Federal Shelter, Portland
-
13.
Bitter Music: July 25 — Blue Ox Lodge, Seattle, Washington
-
14.
Bitter Music: July 27
-
15.
Bitter Music: July 29
-
16.
Bitter Music: July 30
-
17.
Bitter Music: August 7 — Between Grants Pass and Klamath Falls, Oregon
-
18.
Bitter Music: August 15
-
19.
Bitter Music: October 22 — Nearing Monterey
-
20.
Bitter Music: October 24 — Leaving Big Sur
-
21.
Bitter Music: October 25 — Near Slate's Hot Springs
-
22.
Bitter Music: October 26
-
23.
Bitter Music: October 27
-
24.
Bitter Music: October 28
-
25.
Bitter Music: October 29
-
26.
Bitter Music: October 30 — Big Creek
-
27.
Bitter Music: November 12 — Santa Barbara
-
28.
Bitter Music: November 14
-
29.
Bitter Music: November 15 — Leaving Santa Barbara
-
30.
Bitter Music: November 16 — Ojai
-
31.
Bitter Music: November 17
-
32.
Bitter Music: November 23 — Los Angeles
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33.
Bitter Music: November 28
-
34.
Bitter Music: December 4
-
35.
Bitter Music: December, 1935
-
36.
Bitter Music: February 1, 1936 — San Bernardino
-
1.
Yankee Doodle Birds
-
2.
Yankee Doodle Fantasy
-
3.
2 Settings from Lewis Carroll: O Frabjous Day!
-
4.
You are charged with being guilty. Are you drunk or not?
-
5.
Ring Around the Moon, a Dance Fantasm for Here and Now
-
6.
Bless This Home
-
7.
Harrys Wake
1. I am Harry Partch
2. By the Rivers of Babylon
3. Texts and Music: A Wagnerian Wrestling Match
4. 17 Lyrics of Li Po: A Dream
5. 17 Lyrics of Li Po: An Encounter in the Field
6. 17 Lyrics of Li Po: On Hearing the Flute
7. 17 Lyrics of Li Po: The Intruder
8. 17 Lyrics of Li Po: I am a Peach Tree
9. 17 Lyrics of Li Po: With a Man of Leisure
10. 17 Lyrics of Li Po: A Midnight Farewell
11. 17 Lyrics of Li Po: Before the Cask of Wine
12. 17 Lyrics of Li Po: On the Ship of Spicewood
13. 17 Lyrics of Li Po: By the Great Wall
14. The Use of English in Serious Music
15. Barstow: 8 Hitchhikers' Inscriptions
16. San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
17. Life Is Too Precious to Spend It With Important People
18. US Highball: a Musical Account of a Transcontinental Hobo Trip
19. My Heart Keeps Beating Time
20. San Francisco II
1. I'm Going to Start Right Off By Giving You Some Sounds…
2. 2 Settings from Finnegans Wake: No. 1. Isobel
3. 2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful
4. Dark Brother
5. A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
6. A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
7. A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
8. A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
9. A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
10. A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
11. A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
12. A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
13. A Quarter-Saw Section of Motivations and Intonations: Close Degrees
14. A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
15. A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
16. A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
17. A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
18. A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
19. A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"
20. A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
21. A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched
22. A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
23. A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
1. Bitter Music: June 11, 1935 — Santa Rosa, California
2. Bitter Music: June 12 — Federal Shelter, Stockton
3. Bitter Music: June 13
4. Bitter Music: June 14
5. Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta
6. Bitter Music: June 17
7. Bitter Music: July 4
8. Bitter Music: July 14
9. Bitter Music: July 16
10. Bitter Music: July 19
11. Bitter Music: July 20 — Heading North, Between Sacramento and Redding
12. Bitter Music: July 24 — Federal Shelter, Portland
13. Bitter Music: July 25 — Blue Ox Lodge, Seattle, Washington
14. Bitter Music: July 27
15. Bitter Music: July 29
16. Bitter Music: July 30
17. Bitter Music: August 7 — Between Grants Pass and Klamath Falls, Oregon
18. Bitter Music: August 15
19. Bitter Music: October 22 — Nearing Monterey
20. Bitter Music: October 24 — Leaving Big Sur
21. Bitter Music: October 25 — Near Slate's Hot Springs
22. Bitter Music: October 26
23. Bitter Music: October 27
24. Bitter Music: October 28
25. Bitter Music: October 29
26. Bitter Music: October 30 — Big Creek
27. Bitter Music: November 12 — Santa Barbara
28. Bitter Music: November 14
29. Bitter Music: November 15 — Leaving Santa Barbara
30. Bitter Music: November 16 — Ojai
31. Bitter Music: November 17
32. Bitter Music: November 23 — Los Angeles
33. Bitter Music: November 28
34. Bitter Music: December 4
35. Bitter Music: December, 1935
36. Bitter Music: February 1, 1936 — San Bernardino
1. Yankee Doodle Birds
2. Yankee Doodle Fantasy
3. 2 Settings from Lewis Carroll: O Frabjous Day!
4. You are charged with being guilty. Are you drunk or not?
5. Ring Around the Moon, a Dance Fantasm for Here and Now
6. Bless This Home
7. Harrys Wake
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