1. 1. 6 Consolations, S. 172: No. 1 in E Major (Andante con moto)

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2. 2. 6 Consolations, S. 172: No. 2 in E Major (Un poco più mosso)

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3. 3. 6 Consolations, S. 172: No. 3 in D Flat Major (Lento, Placido)

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4. 4. 6 Consolations, S. 172: No. 4 in D Flat Major (Quasi adagio)

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5. 5. 6 Consolations, S. 172: No. 5 in E Major (Andantino)

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6. 6. 6 Consolations, S. 172: No. 6 in E Major (Allegretto, Sempre cantabile)

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7. 7. Liebestraum No. 1, S. 541 No. 1: Notturno I: Hohe Liebe (Andante espressivo assai)

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8. 8. Liebestraum No. 2, S. 541 No. 2: Notturno II: Seliger Tod quasi lento, Abbandonandosi

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9. 9. Liebestraum No. 3 in A Flat, S. 541 No. 3: Notturno III: O Lieb, so lang du lieben kannst (Poco allegro, Con affetto)

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10. 10. Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" (Preludio con moto: Sempre mosso, con intimo sentimento)

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11. 11. Tre Sonetti di Petrarca, S. 270: Sonetto No. 104: "Pace non trovo" (Agitato assai - Adagio)

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12. 12. Tre Sonetti di Petrarca, S. 270: Sonetto No. 123: "I' Vidi in Terra Angelici Costumi" (Lento Placido - Sempre Lento - Più Lento)

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13. 13. Concert Paraphrase on Rigoletto, S. 434 After Verdi's Opera: Preludio. Allegro - Andante - Presto

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